Cotton Candy THeremin (With Antfood) (2015)
Cotton Candy Theremin is a spinning performance at the intersection of food, design, performance and technology. Developed by Philip Sierzega and Emilie Baltz, Cotton Candy Theremin remixes the interface of making cotton candy by transforming it into a multi-sensory orchestration of sight, sound, smell, touch and taste. By spinning a cotton candy cone over wisps of candy floss, guests trigger sounds and visuals that create an immersive environment, revealing the interplay between human and digital technology.
Along with a team of the technicians, composers, and producers at Antfood, I programmed several features of the device and produced segments of the track itself. "Cotton Candy Theremin" premiered at New York's Red Bull Space in July 2015, was featured in Panorama Music Festival's "The Lab" in July 2016.
The audio controls are programmed in Max, which interpret hand motion via ten sensors surrounding the machine. The Max program translates and scales OSC data (over UDP) into specific audio controls in Ableton, such as pitch, beat repeat, and sample triggers.
Reality TV (2016)
Made with video artist and composer Sage Jenson, "Reality TV" is a surrealist walk through a media-fueled dystopia. Visitors descend down a spiral staircase and into a grey, concrete-floored warehouse where the lines between television entertainment and political commentary are blurred. Through multichannel spacialized audio, video, and digitally controlled lighting, this installation explores the implications of reality in a post-truth world.
The Power of Poison: The chocó Rainforest (2013)
"The Power of Poison" is an immersive science exhibit designed by the American Museum of Natural History in New York. The exhibit explores poison’s roles in nature, health, history, literature, and myth.
I co-constructed the show's first diorama, a two-hundred foot long immersive diorama of Columbia's Chocó Rainforest.
Please talk to me (2015)
“please talk to me” is a real-time installation that explores the digital isolation of the surrounding 35 mile radius. The piece runs off a Max/MSP patch that interprets live, real-time, text sampled from Facebook, Twitter, Craigslist, Tinder, YikYak, OK Cupid, and hundreds of other sources. The information presented is not intended to be a writer’s fantasy, but an honest representation of local digital communication at this very moment.
This piece has been displayed in several incarnations, originally intended to be played through six speakers spread out through a gallery space, inviting the audience to walk literally into a web of sound. The photos, shown below, are part of an adaptation made for the international exhibition "Postinternet is Dead," held in May, 2015 at the Allen Memorial Art Museum in Oberlin, Ohio.
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